Judul : Kumpulan Kolom dan Artikel Abdurrahman Wahid Selama Era Lengser
Penulis : Abdurrahman Wahid
Halaman :
Bahasa :Indonesia
Baca Sinopsis/ Artikel/ Resensi/ Opini Terkait
Kumpulan Kolom dan Artikel Gus Dur
Dan Brown's The Lost Symbol
Title : Dan Brown's The Lost Symbol
Author : Nigel Tomm
Page : full
"Dan Brown's The Lost Symbol by Nigel Tomm" is an exceptional book in numerous ways. Firstly, it is not actually Nigel Tomm's book. This is not Dan Brown's book either. It is "The Picture of Dorian Gray" by Oscar Wilde (published in 1891) with a difference that the names of the main characters are interchanged with those from "The Lost Symbol", i.e., Dorian Gray now is Robert Langdon, Lord Henry Wotton is Lord Peter Solomon and Basil Hallward is Zachary Solomon. The author of the book, Nigel Tomm calls it a textual installation art where such phenomenon as authorship, perception, cognition and law are being questioned. The book also questions the role of the author and its significance in the contemporary world of mashups. Can you imagine Robert Langdon in 1891? Nigel Tomm gives you a try.
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Christmas at Home
Judul : Christmas at Home or Good Children Always Happy A Book For Holydays
Penulis :Uncle William
Halaman :
Bahasa : English
A Christmas Carol
Sources
The principal forces that shaped A Christmas Carol were the profoundly humiliating experiences of the author's childhood, his sympathy during the decades of the 1830s and 1840s with the poor, especially children, and Washington Irving's stories of the traditional old English Christmas. While there are other authors before Dickens who celebrated the season, it was Dickens who imposed his secular vision of the holiday upon the public.
In 1824, Dickens's father John Dickens was arrested for debt and imprisoned in the Marshalsea. The family moved into the prison but twelve-year-old Charles was forced to take lodgings nearby, pawn his collection of books, leave school, and accept employment in a blacking factory. The boy had a deep sense of class and intellectual superiority and was entirely uncomfortable in the presence of the other factory workers who referred to him as "the young gentleman". He developed nervous fits. When his father was released at the end of a three month stint, young Dickens was forced to continue working in the factory which only grieved and humiliated him further. He despaired of ever recovering his former happy life. The devastating impact of the period wounded him psychologically, coloured his work, and haunted his entire life with disturbing memories. It was during this period Dickens observed the lives of the men, women, and children in the most impoverished areas of London and witnessed the social injustices they suffered.
In early 1843, Dickens toured the Cornish tin mines where he saw children working in the most appalling conditions. The suffering he witnessed there was reinforced by a visit to the Field Lane Ragged School, one of several London schools set up for the education of the capital's half-starved, illiterate street children. Dickens read the Second Report of the Children's Employment Commission dated February 1843, a parliamentary report that exposed the horrifying effects the Industrial Revolution inflicted upon the lives of poor children. In a speech at the Manchester Athenaeum, he urged workers and employers to join together to combat ignorance with education. In May 1843, he planned to publish an inexpensive political pamphlet tentatively titled, "An Appeal to the People of England, on behalf of the Poor Man's Child" but changed his mind, deferring the pamphlet's production until the end of the year. He wrote Dr. Southwood Smith, one of four commissioners responsible for the Second Report, about his change in plans: "[Y]ou will certainly feel that a Sledge hammer has come down with twenty times the force – twenty thousand times the force – I could exert by following out my first idea." The pamphlet would become A Christmas Carol.
The descriptions of long-abandoned English Christmas customs and traditions in Washington Irving's Bracebridge Hall attracted Dickens,[2] and the two authors shared the belief that the staging of a nostalgic English Christmas might restore a social harmony and well-being lost in the modern world. In "A Christmas Dinner" from Sketches by Boz (1833), Dickens had approached the holiday in a manner similar to Irving, and, in the Pickwick Papers (1837), he offered an idealized vision of an 18th century Christmas at Dingley Dell. In the Pickwick episode, Mr. Wardle relates the tale of Gabriel Grub, a lonely and mean-spirited sexton, who undergoes a Christmas conversion and transformation after being visited by goblins who show him the past and future – the prototype of A Christmas Carol.
Other likely influences were a visit made by Dickens to the Western Pentitentiary in Pittsburgh, Pennsylvania in April 1842;[11][note 1] the decade-long fascination on both sides of the Atlantic with spiritualism;[3] fairy tales and nursery stories (which Dickens regarded as stories of conversion and transformation);[12] contemporary religious tracts about conversion;[12] and the works of Douglas Jerrold in general, but especially "The Beauties of the Police" (1843), a satirical and melodramatic essay about a father and his child forcibly separated in a workhouse,[11] and another satirical essay by Jerrold which may have had a direct influence on Dickens's conception of Scrooge called "How Mr. Chokepear keeps a merry Christmas" (Punch, 1841).[1]
The Chancery Lane offices, formerly Smithson's solicitors in the town of Malton, North Yorkshire were the model for Scrooge’s counting house in Carol, and that the church bells which feature so prominently in the novel were those of St. Leonard’s on Church Hill, Malton. Dickens befriended Smithson whilst he was in London completing his legal training. A lifelong friendship ensued which involved Dickens visiting Malton many times and featuring many of the people and places he met through Smithson in his writings.
A Christmas Carol
Charles Dickens
A Christmas Carol (originally, A Christmas Carol in Prose, Being a Ghost Story of Christmas) is a novella by English author Charles Dickens about a miserly curmudgeon and his secular conversion and redemption after being visited by four ghosts on Christmas Eve. The book was first published on 19 December 1843 with illustrations by John Leech, and quickly met with commercial success and critical acclaim. The tale has been viewed as an indictment of nineteenth century industrial capitalism and has been credited with returning the holiday to one of merriment and festivity in Britain and America after a period of sobriety and sombreness. A Christmas Carol remains popular, has never been out of print,[1] and has been adapted to film, opera, and other media.
Seven Christmas Comedies
Title : The Happy Holidays Collection; Seven Christmas Comedies for Children
Author : Vin Moriale Jr
Page :Limited
Language : English
This collection of seven Christmas comedies has something for everyone! Some are religious oriented, others highlight the secular side of the holiday season. Filled with colorful characters and humorous dialogue, the collection includes: The Laziest Angel; The Elf Rebellion; Little Shepherd, All Alone; The Penguin Who Saved Christmas; The Dickens, You Say; Gail & Gary Greedy's Christmas Surprise; and The Christmas Tree From Outer Space, offering you a great variety of enchanting Christmas performances. Simple sets.
Vin Morreale, Jr.
To date, Vin Morreale, Jr. has written for stage, print, radio, television and film. He has written 37 plays, which have received more than 700 productions across the United States and Canada. His book, Burning Up the Stage: Monologues, Short Scenes and Audition Pieces for Actors From Six to Seventy, is used by actors, drama teachers and theaters nationwide. He is a member of the Cherokee Roundtable Writer's Group, as well as a founding member of the San Francisco Playwrights' Center and the Senseless Bickering Comedy Theatre. Morreale is also an award-winning documentary producer, whose work includes The PGA's Complete History of Golf, Altered Visions and The Louisville Ballet's "Cinderella." As an actor, Morreale has appeared in numerous commercials, independent films and videos, as well as on stages from Boston to San Francisco. He continues to teach acting and scriptwriting from elementary school through college level.
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